Words by Suzy Romer
High-octane isn’t normally an expression used to describe a comedy sketch show but this year’s Beasts is a real adrenaline rush of wild things. It’s got sex, it’s got violence, and it’s got magic which is as good and bad as it gets. Directed by Tom Parry from Pappy’s, you can feel the energy, whimsy and good will that he brings to the production, but these guys are forging ahead with a style of their own.
The show is built upon my favourite sketch scenario of simmering tensions, rivalry and grumpiness between the performers. They begin with a sketch so simple it is like a melody picked out on the piano with one hand. The show gradually develops to symphonic effect and really, it’s unbelievable that three men can fill this compact performing space with such grandiose daftness. You find yourself sucked into their world of ambition, nostalgia and lightly bruised egos as they jostle for the position of top dog. There’s more than one surprise along the way; prepare to squawk.
This was one hell of a show to start my Fringe and I’m tempted to see it again as a finale. There’s nothing fledgling about this group. This is sketch comedy as it’s supposed to be and it brought the house down.
Catch Beasts – Solo at 4.45pm at the Pleasance Courtyard throughout August. Buy tickets here